This blog is for all the movie fans out there (and really, who DOESNT like movies?). The site will feature humorous critical posts about movies new and old, updates on my own experiences in the independent film industry, and a "Top 5 ____" list here and there. Reader feedback is encouraged and ultimately necessary for this blog's success, and to not hurt my feelings.

6/30/10

Eclipse



When I got to the theater at 5:30 to purchase my Eclipse tickets, a small line of pre-teen girls in Twilight shirts had already formed in the lobby, evidence that the night was going to be an interesting one regardless of the quality of the movie. I amended my plan to arrive at the theater at 10:45, so instead Stephanie and I got there at 9:30.

The line was already stretched outside the theater doors.

In the line I met Tammy, a 50 year old Twilight super fan. On first glance she looked to be an ordinary middle aged female, but a minute of conversation revealed her to be a lunatic. She professed to having read all 4 Twilight books 12 times, watched the first movie in theaters 39 times, and the second 35. She also has won several Twilight trivia contests.

Talking with this woman made the first hour of waiting in line go by amazingly fast. At 10:45, the time I initially planned to get there, the line was roughly 300 yards long, stretching all the way past the parking lot to the bus stop.

At long last, (11:15) the line began to move, and the Twilighters were divided up into four (FOUR!) large theaters. The movie started about a half hour late because people were still being seated until the bitter end. Crazy!

As for the film, well, it is a Twilight movie, and that's about all there is to say. Admittedly, it is an improvement on the first two, which I felt took themselves a little too seriously for movies about mopey teenaged vampires. This one had more of a sense of humor (although having recently seeing Grown Ups, perhaps my own sense of humor is tainted now). The acting performances from the three leads had already improved from "god-awful" to "dreadful" from the first to second film, and I am happy to report they have been upgraded again to "wooden". Perhaps by the fifth and final Twilight film one of them will win an Oscar? (HAHAHA)

As for the story, this one suffers from the same problem as the second, namely, it is an intermediary plot, driving the overall story forward to the ultimate climax in the last book. So, nothing really that spectacular happens. The characters all just develop a little bit more. I understand though that this problem is inherent in any series. The character development I appreciated the most is the back stories of some of Mopey Teenaged Vampire's siblings, those stories are by far more interesting than what is going on in Forks, WA, present day.

On the plus side, I must admit that this film isn't really half bad. The direction by David Slade, newcomer to the series, is a lot more focused than the earlier films. Rather than scenes just happening, then ending, then something else randomly happening, each scene in Eclipse leads into the next much more smoothly. And none of the plot points felt as rushed as some did in the earlier films.

Ultimately, I can't say that I enjoyed Eclipse, because I didn't. But I never rolled my eyes. It is a solid film, just not directed at my sort of audience. If you love Twilight, you will love it. If you hate Twilight, you will hate it. No minds are going to be changed this late in the game.

The theater I was in was 100% full, as were the three others (apparently). Everyone was super into it, predictably, and Jacob got lots of hoots and hollers. Before the film started a theater employee ran a basic scream-survey, Jacob vs. Edward. I think it was about 70-30 in favor of Team Jacob. The film ended to thunderous applause and lots of teenaged girls screaming (also predictably).


Attendance: 5/5
Crazy Fan Boy Factor: 5/5
Crowd Response: 5/5

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Production Value: 4/5
Acting Performances: 2/5
Plot: 2/5
Sulking: Down 20% from the last film

Overall: 5/10

6/29/10

Featured New Release Poll- 7/9

Well its that time of the week again folks, the next batch of new releases are up and ready to be voted for. This time its Despicable Me, the animated super villain tale featuring the voice of Steve Carell, vs. Predators, a sci-fi shoot em up featuring Adrien Brody and Laurence Fishburne, who team up with a band of killers to face off against the legendary Predator.

Winner: Eclipse



Can't say I am too surprised. Eclipse won handily with 60% of the vote. For those who have been living under a rock in a cave on Mars the last few years, this is the third part of the pale, good-looking, teenaged vampire chronicles (aka Twilight). Love Ranch and The Last Airbender tied with 20% each.

In anticipation of this result I have spent the last two days catching up on the first two films in the series (yes, I am dedicated). No review for the first two but I will say I am not going into tonight with very high expectations. But I will reserve judgment for later.

I'll be going to the midnight screening at Old Town 14 with my girlfriend. Wish me luck.

Oh and for the record, I am on Team Edward.

Top Five Musical Scores

Since I haven't been keeping up with this segment as well as I hoped, I punished myself by selecting a somewhat obscure category for this list. Here I name my five favorite film scores.

Everyone knows that movies have music in them, but who really notices it? Well, I do, especially when it is great. For some films, a great score can transform them from a summer popcorn flick into an international phenomenon (see #2). Sometimes, a score lives on in pop culture long past its film's expiration date.

To compile this list I came up with a few simple rules; first of all, only scores made up of mostly original music composed for the film would count. All apologies to movies such as 2001: A Space Odyssey, Boogie Nights, or any of Tarantino's films- all have great music but it is not wholly original. Secondly, only one entry per composer (the John Williams rule).

Lastly, no musicals. Musicals are supposed to have good music.

5. Up, Michael Giacchino



I love this score for its simplicity. It takes a simple theme, builds upon it and rearranges it, makes it grow, takes it back down to a lone piano... brilliant metaphor for the main character's life.

I happened to mention this film's score in my last list on Pixar movies... see where I'm going with this?

4. The Lord of the Rings trilogy, Howard Shore



If the first 15 seconds of the above track don't make you want to strap on your mithril armor and slay some orcs, there is no helping you.

Howard Shore took on a momentous challenge when he agreed to score all three of these epic films. He did a commendable job considering there isn't a single phrase of music that is copied from film to film. Each score stands on its own, and each is terrific. Shore composed musical themes for each main character and for the different cultures of Middle earth, using different instrumentation and style for each. Quite impressive.

3. Once Upon a Time in the West, Ennio Morricone



When a film has a character named "Harmonica", it is easy to tell that the music is going to play an important part in the story in some way. I'm not going to give away anything, but in Once Upon a Time in the West it totally does. Having a musical theme feature in the story is pretty brilliant.

Besides that, Ennio Morricone is the greatest composer of westerns ever, and this is yet another masterpiece from him. All his scores are superb. The use of electric guitar for the theme of the villain (played by Henry Fonda of all people) was innovative and often imitated.

2. Jaws, John Williams



duh Duh... duh Duh...

Yeah, the most iconic movie theme ever.

It is brilliant. Williams uses the theme to portray the pitiless, machine-like voracity of the shark. The rest of the score is also great, a slice of New England life. But that theme is the real winner.

1. Dances With Wolves, John Barry




I know many of my readers will dispute this choice, (Dances With Wolves famously beat out Goodfellas for best picture) but whatever. This film has incredible music. Memorable themes, evocative of the setting and time period, what more could you ask for? Oh, how about some of the coolest drum parts in any classical score? Check "Pawnee Attack".

The music from this film was ingrained into my head in childhood, so it will likely remain my favorite movie score forever.

So there's my five. I want to see (or hear) some of your choices, please!

6/27/10

Kiss Kiss Bang Bang



Sandwiched between my forays to the cinema this week, I found the time to watch Kiss Kiss Bang Bang, which easily proved to be the cinematic highlight of my week.

Perhaps it has to do with the weak competition it was up against; but I honestly feel Kiss Kiss Bang Bang stacks up well in the mystery/suspense genre, especially in the last decade. It is a solidly constructed thriller with a terrific cast and script.

Shane Black, the writer of the first Lethal Weapon film, makes his directorial debut with this 2005 homage to 40's Raymond Chandler style mysteries. Kiss Kiss Bang Bang stars Robert Downey Jr. as its anti-hero Harry, a down on his luck petty thief who finds himself whisked from NYC to Los Angeles. He falls under the tutelage of Gay Perry (Val Kilmer), an upscale private investigator who is also the single most sarcastic individual on the planet. In the vein of the pulp fiction stories of Chandler or Dashiell Hammett, the film has many a twist and turn, a nefarious plot or two, and a substantial body count by the time the credits roll.

I really enjoy this film. The repartee between Harry (witless outsider) and Perry (sarcastic A-hole) keeps the scenes they share clicking. Michelle Monaghan is appealing as Harry's dream girl Harmony. As for the plot, it is suitably confusing for those who like their movies to have lots of twists.

One of the best things about the film is the self-referential attitude it takes, particularly in the narration by Downey Jr. Movies taking place in L.A., amongst the celebrity culture, need to do more to appeal to movie buffs such as myself, but Kiss Kiss Bang Bang does not disappoint in that regard (including references to Lord of the Rings, Joe Pesci, and Hollywood endings in general).

I have to admit I would probably rank this higher if it wasn't for its similarity to one of my favorite movies, L.A. Confidential. While it is inferior to the latter, Kiss Kiss Bang Bang is still very good. I would recommend it to anyone who likes movies that make you think.

Production Value: 4/5
Acting Performances: 4/5
Humor: 4/5
Val Kilmer Jerk-o-meter: 8/5

Overall: 8/10

6/26/10

Knight and Day vs. Grown Ups: Fight!

As promised, I watched both new releases this week, since there was a deadlock in voting. Here is a review for each film.

Knight and Day



Unfortunately, I had a prior commitment that kept me from seeing the Wednesday premiere of Knight and Day (Young Frankenstein at the Buell! It was awesome). Besides, this movie never should have opened on a Wednesday. Anyway, the screening I went to was moderately attended, considering it was a weekday afternoon.

Lets not kid ourselves, Knight and Day is not going to be in the running for any Oscars. But I was somewhat surprised at how many hits the film scored. For what it is- a summertime popcorn action flick- it does a good job. Basically, you take a tried and true premise (ditzy attractive woman reluctantly teams up with rugged action hero- see Romancing the Stone), throw in a couple of A list stars, and bingo, surefire hit.

The plot, at least what there is of it, concerns Roy Miller, a Rogue Agent (or is he? or isn't he? The movie never really decides) who becomes tasked with protecting a world-changing invention from his evil ex-partner. Along the way, Cameron Diaz's June Havens stumbles across his path, and he has to take her along, or something.

Naturally, there is a fair bit of action in the film. But as any action-film fan will tell you, the best part of any action scene is the climactic ending, where the heroes valiantly escape and move on to their next challenge. However, the film weasels out of this with an initially clever but ultimately frustrating device. Whenever the going gets tough, Miller knocks Havens out (drugs, sleeper hold, etc.) and... well we don't know what happens next. She goes unconscious, and then wakes up somewhere else. Miller bravely and boldly kicked ass and killed everyone, and they escaped, which is awesome and all, but WE DIDN'T SEE HIM DO IT. It was very annoying, by the eighth or ninth time it happened (ok, it wasn't that many but still, come on now).

So really, there was only one action sequence that was worth the price of admission, that being the climactic motorcycle chase through the streets of Seville- including the Pampalona running of the bulls (wait what?)- leading up to the showdown between Miller and the main baddie. In any normal action film, this would be a disappointment, but Knight and Day has enough "moments", mostly of humor, to keep the train limping into the station. Cruise's performance as the overly friendly secret agent makes me somewhat nostalgic for his pre-couch hopping, Jerry Maguire days.


Attendance: 3/5
Crazy Fan Boy Factor: 0/5
Crowd Response: 3/5

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Production Value: 3/5
Humor: 3/5
Action: 3/5
Tom Cruise: Is still weird

Overall: 6/10



Grown Ups



How best to sum up this film in two words... Hell I'll give you one word: "FAIL".

If you prefer two words, I can think of any number of things to say. But since quite a few of you inexplicably voted for this movie, I will give you a full review (sigh).

If you had told me the premise of Grown Ups maybe a year ago, I would have been stoked... "Adam Sandler, Kevin James, Rob Schneider, David Spade and Chris Rock, hanging out in a lake house, cracking wise at each other for two hours? Sign me up! Whats the plot? Wait that IS the plot? You mean they just hang out and insult each other? Ok ok, still somewhat excited, it will be R rated right? No? Hmm."

That would have been my reaction a year ago. However, I first heard about this film recently, so I fortunately didn't have any time to build my expectations for it above "first day of school" levels of dread. Even so, I was disappointed. Grown Ups is a horrible thing that has been unleashed on the movie-going world.

I guess maybe I'm not giving this film any credit. There is a plot; seems the five aforementioned stars used to play Middle School basketball together. The coach of their championship team dies, and THAT'S why they all get together at the lake house. Sorry if its hard to follow but if so then maybe you will like this movie.

What follows is an odd collection of tender family moments interspersed with fart jokes, nut shots, and fat people (Kevin James) or short people (Rob Schneider) getting hurt. Oh and did I mention the barrage of one-liners? Basically, the entire script is one big wry joke after another. I guess the writers realized nothing they could come up with was particularly funny, so they should go for quantity over quality. There are also several running gags (the not-yet-weaned four year old, the dog barking a lot, Kevin James is fat, etc. etc. ad nauseum). This might have worked, if even 25% of the jokes were actually funny.

sample of actual dialogue:

(wayward basketball knocks beer out of womans hand)
Woman: Hey! You spilled my beer!
Husband: Why does everything have to be about you?
Woman: Why do you have to be such a DICK?
hahahahaha! funny right? no? anyone?

Problem is I laughed maybe three times, and I'm being generous here, throughout the whole movie. The phrase "one-joke-premise", used disparagingly for many films, would be an accolade for Grown Ups. Oh and lets talk about casting; I appreciate the filmmaker's decision to help make up for their lack of skill by putting as much eye candy on screen as possible (Rob Schneider's daughters especially). But am I really supposed to believe Kevin James is married to Maria Bello? I didn't believe it with Leah Remini in King of Queens, I'm not going to buy it now. And Sandler with Salma Hayek? That one was only plausible because they made his character filthy rich.

I could probably rant about this film for a few more paragraphs, but I digress. You get the point by now I hope.


Attendance: 3/5
Crazy Fan Boy Factor: 0/5
Crowd Response: 1/5

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Production Value: 3/5
Humor: 1/5
Plot: 1/5
Pee Jokes: are NOT funny

Overall: 3/10

Moral of this week: If you want to see a new film in the coming days, see Knight and Day! It has enough action to satisfy, and it is much funnier than Grown Ups.

6/23/10

Featured New Release Poll- 7/2

The next poll is posted, and its a doozy. Three films slated to open in wide release this week, with the continuation of the Twilight series Eclipse (6/30) leading the pack. Also coming out Wednesday is the Hellen Mirren/Joe Pesci vehicle Love Ranch, a true story about the first legal brothel in Nevada. M. Night Shyamalan's (aka one of my least favorite directors) The Last Airbender, a Friday Release, brings up the rear for this week. Which one will it be?